How did a handful of postwar press stories, self-proclaimed inventors, Cold War anxieties, and revanchist fantasies coalesce into one of the most persistent technological myths of the twentieth century? This book reconstructs the very beginning.
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The Real Story of the Nazi UFOs — Volume 1
The first comprehensive account of how the "German flying saucer" stories emerged in the European and American press from 1947 onward — tracing every inventor, every newspaper article, every rumor back to its source. Based on primary documentation gathered across four decades of independent research.
About the Book
When the flying saucers appeared in American newspapers in late June 1947, they were the by-product of many converging elements: media sensationalism, Cold War fears of Russian intruders, an overwhelming fascination with the technological breakthroughs of the Second World War, and a widespread belief that Nazi science had achieved almost magical results.
Especially since 1944, press readers had been exposed for years to the idea of Nazi super-technologies going beyond the imagination of the ordinary man. The shock of the atomic bomb in August 1945 made people ready to believe any further technological wonder — and to doubt what their governments were telling them.
Flying saucers were the ideal mystery. Nobody knew what they really were. The idea that they could be a product of the same Nazi super-science that had supposedly produced foo-fighters and wonder weapons was irresistible — and far more attractive than the emerging hypothesis that they might be interplanetary.
This volume reconstructs the earliest phase: from the end of the war through the early 1950s, when a series of self-proclaimed inventors, boasters, and opportunists — from Giuseppe Belluzzo to Rudolf Schriever, from Lino Saglioni to Georg Sautier — stepped forward with their improbable stories of German disc-shaped aircraft.
Each story is traced to its source. Newspaper articles, patent filings, personal correspondence, and government records are assembled and cross-referenced, showing how thin the evidentiary basis always was — and how eagerly the press amplified it. The result is the first genuinely documented account of how this modern myth was born.
Genesis of a Myth
The myth did not spring from a single source. Five distinct forces converged in the postwar years to create the conditions for its emergence.
In former Axis nations, recounting tales of potent weapons that did not alter the war's outcome meant looking back with nostalgia and resentment at lost grandeur. German and Austrian press and public enjoyed the notion of technological superiority despite their defeat.
After years of wartime censorship, the unprecedented level of press freedom in Europe allowed journalists to indulge in spectacular stories. Mass-circulation periodicals competed for attention with increasingly exotic claims about secret weapons and hidden technologies.
Claims that Hitler was still alive and hiding in remote strongholds — South America, Antarctica, secret bases in Asia — fueled the idea that evil but ingenious Nazi scientists were developing superweapons for a future return. The surrender of two U-boats in Argentina months after the war only strengthened these fantasies.
A new fear of conflict with the Soviet Union turned the flying saucers into potential enemy weapons. Soviet scientists, aided by captured German engineers, could have perfected Nazi prototypes. The saucers-as-Soviet-weapons narrative served both fear and the push for greater defense spending.
Behind many stories were individuals seeking economic gain, social status, or existential relief. Some tried to sell alleged disc designs to governments; others sought media fame; a few used their claims to escape difficult personal circumstances, including imprisonment.
Contents
Each chapter investigates a specific inventor, episode, or cluster of narratives, tracing every claim back to its primary sources.
How wartime rumors, press sensationalism, and the shock of the atomic bomb created the conditions for the Nazi flying saucer narrative.
The very first person to claim credit for the flying saucers as German-made aircraft, just weeks after the 1947 craze began.
A wave of self-proclaimed inventors emerges in the European press, each with their own variation on the German flying disc story.
The Danish-born inventor who resurfaced with persistent claims about his disc-shaped aircraft designs.
The Italian senator, engineer, and former minister whose 1950 claims about "turbine discs" gave the myth its most authoritative early voice.
Additional tales of German disc-shaped aircraft that circulated in the early postwar press, adding layers to the emerging mythology.
The German engineer whose story of a "flying top" became the most famous and most frequently cited of all the postwar saucer inventor narratives.
A technical examination of the alleged disc designs — showing why the claimed aircraft could never have flown as described.
The broader context of Schriever's claims: who preceded him, who followed, and how his story was amplified and distorted over time.
Additional claimants — from Richard Miethe to other lesser-known figures — and the press ecosystem that sustained them.
The Italian who claimed involvement in wartime flying disc projects, examined against the documentary record.
How the Antarctic survival myth entered the flying saucer narrative — the first fusion of technological and conspiratorial claims.
The academic credentials invoked to lend authority to yet another flying disc narrative, and what the evidence actually shows.
The case of Alexander Weygers, who actually patented a disc-shaped aircraft design — and the gap between the patent and the myth.
Austrian contributions to the disc-aircraft narrative, rooted in local aerospace ambitions and national pride.
Another self-proclaimed inventor and his claims of wartime disc development, traced through press coverage and personal correspondence.
Claims that disc-shaped craft were used operationally against Allied aircraft — and the evidence (or lack thereof) behind them.
The final wave of claimants and storytellers who rounded out the first decade of the Nazi flying saucer mythology.
The controversy surrounding alleged German atomic bomb tests — a parallel mythology of Nazi super-science examined in detail.
An in-depth study of one of the most prolific and persistent of all the saucer claimants, whose decades-long campaign kept the myth alive.
The Author
Maurizio Verga is an independent researcher who has studied the Nazi UFO mythology for approximately forty-five years. He is widely recognized as the foremost expert on this subject and is associated with CISU (Centro Italiano Studi Ufologici), Italy's leading UFO research organization.
This volume is the foundation of a trilogy that traces the entire arc of the Nazi UFO legend: from its earliest postwar press origins through its transformation into a fully developed esoteric mythology still thriving today.
The Trilogy
A three-volume series covering the complete history of the Nazi UFO mythology.
The postwar origins: press stories, self-proclaimed inventors, Cold War anxieties, and the birth of the German flying saucer myth from the late 1940s to the early 1950s.
Order now →From the early 1950s through the 1960s: how the technological narratives were progressively absorbed into the wider postwar UFO phenomenon.
Coming soonThe full transformation into esoteric mythology: Vril, Haunebu, Aldebaran, and the fusion of pseudo-history with far-right ideological commitments.
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